《龙门飞甲》
FLYING SWORDS OF DRAGON GATE
-Production Notes updated Nov 17, 2011
CONTENTS 目录
Synopsis 风起云涌
Production Crew 扬剑飞甲
Behind the Scenes 高手云集
Character Profiles 惊叱江湖
© 2011 博纳影视娱乐有限公司 版权所有人保留一切权利
Bona Entertainment Company Limited, All Rights Reserved
故事梗概
Synopsis
风起云涌
明宪宗年间，宦官弄权，滥杀贤臣。侠客赵怀安在营救忠良行动中，终将恶贯满盈的东厂提督万喻楼一剑毙命，引来西厂督主雨化田祭出天下格杀令。赵怀安等人一路亡命到嘉峪关的龙门，消失于铺天盖地的黑沙暴中。尘消风散后，西厂密探、鞑靼商队等江湖各路人马，再度投宿于龙门客栈这家大漠黑店。三年前曾毁于大火的龙门客栈里，当年的风骚老板娘金镶玉早已神秘失踪，只剩逃过火劫的伙计们重起炉灶，痴等老板娘回来。几乎被世人遗忘的边关客栈，再次因缘际会地风起云涌：神秘剑客卜仓舟的容貌，为何与雨化田如此相似？对客栈密道瞭若指掌的吹笛女子凌雁秋，又是何许人也？就在由雨化田亲率的西厂追兵赶来之际，地平线突刮起数条龙捲奇风，赵怀安横空飞出，欲与雨化田一决生死。大漠风烟间，一场天地变色的正邪之战，即将展开。
“Flying Sword of Dragon Gate” picks up three years after the infamous Dragon Inn was burnt down in the desert when its innkeeper JADE vanished. A new gang of marauders had taken over: innkeepers by day, and treasure hunters by night. The inn is the rumored location of a lost city buried under the desert, and its hidden treasure would only be revealed by a gigantic storm every sixty years. The gang used the inn as a front to locate the lost treasure.
The storm is arriving. But the situation becomes more complicated when a pregnant concubine who escaped from the palace came to the inn. The concubine was saved by a mysterious woman LING, and the two fled to the Dragon Inn in hiding. Hot on their trail were the Imperial Assassins led by the powerful eunuch YU, followed by the righteous general ZHAO who was determined to take down Yu to restore order in the palace.
幕后主创
Production Crew
扬剑飞甲
徐克 Tsui Hark
监制/导演/原创故事/编剧
1950年出生, 自十三岁起即开始製作八米厘实验电影，毕业于美国德萨斯州
大学,修读电影，于1977年加入电视广播有限公司，从事导演等工作。一年后转投佳视，并且拍了电视剧经典《金刀情侠》。这可说是徐克导演生涯的转捩点，他的才华为电影监製所注意，并于1979年完成他的第一部古装剧情长片《蝶变》。徐克独特的风格和娴熟的技巧，使《蝶变》从当时充斥市场的功夫片中脱颖而出。
陆续拍摄了多部影片后，徐克于1984年与妻子施南生成立了「电影工作室」，晋身为监製，创业作《上海之夜》，继而推出多部风格独特及创新片种，不但获得一致好评，更在票房上取得佳绩，其后曾于好莱坞发展，进一步拓展独特之个人风格。
除了监製许多脍炙人口的电影如《英雄本色》系列、《倩女幽魂》系列等片，徐克导演更是执导出多部电影经典如《笑傲江湖》、《黄飞鸿》系列等，其创新风格，更奠定了往后多部武侠电影所欲超越的标竿。
2005年，徐克拍摄完成之武侠巨着《七剑》于东南亚上画得到票房佳绩，《七剑》并被邀请为二零零五年度之威尼斯电影节开幕电影。2006年，徐克与其两位交往三十年的好朋友及大导演，杜琪峯及林岭东，一同合作拍摄电影《铁三角》, 并于第60届戛纳电影节首映。2008年,徐克被第13届釜山电影节
邀请主持大师讲座。2009年，凭《狄仁杰之通天帝国》入围第67届威尼斯电影节竞赛单元，其后更横扫华语电影节，囊括多个奖项，包括第三十届香港电影金像奖之最佳导演奖。
而国际天文联会为表彰徐克在影坛获奖无数的成就，于2011年6月正式颁发证书，确认一枚距离地球三十五亿公里的小行星从此定名「徐克」，使他成为首位获得殊荣的香港导演。
2011年，徐克锐意使用最新立体拍摄技术，製作其新片《龙门飞甲》，令该片马上成为同年度十大观众最期待华语电影之一。
TSUI Hark
Producer/Director/Original Story/Screenwriter
Born in 1950, Tsui Hark studied filmmaking in University of Texas, Austin. A legendary producer and director, He is one of Hong Kong cinema's most influential figures. A pioneer of the '80s Hong Kong New Wave film movement, Tsui immediately caught the attention of critics with his innovative style and techniques.“Butterfly Murders”(1979) and “Dangerous Encounters Of the First Kind”(1980) pushed the boundary of Hong Kong genre films as well as the limit of the censors.
Following the creation of Film Workshop with his wife Nansun Shi in 1984, Tsui directed and produced a series of successful commercial films that initiated the “golden era” of Hong Kong cinema. Films including “A Chinese Ghost Story” – The Animation (1987), “Swordsman”(1990), and “Once Upon In China”(1992) established Tsui's dominance across Asia. After directing two films in Hollywood, Tsui returned to Hong Kong in the mid-90s and continued to push his stylistic boundary. “Iron Monkey”(1993) and “Time And Tide”(2000) introduced Hong Kong action style to the audience in Europe and America.
In 2005, Tsui's “Seven Swords”(2005) was invited to be the opening film at the 62nd Venice International Film Festival. In 2006, he collaborated with fellow directors and friends of 30 years, Ringo Lam and Johnny To in the much-anticipated film “Triangle”, which premiered at the 60th Cannes International Film Festival. In the film, the three directors each directed one segment. In 2008, Tsui was invited to host the Masters Class at the 13th Pusan International Film Festival. Tsui’s“Detective Dee and the Mystery of the Phantom Flame” was in Competition of the 67th Venice Film Festival in 2009. It also swept across various Chinese film festivals for awards in several categories, including the Best Director in the 30th Hong Kong Film Awards.
In 2011, Tsui endeavored to shoot his new film “Flying Swords of Dragon Gate” with the latest 3D technology and it immediately became one of the 10th most anticipated movies in the Chinese cinema.
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于冬 YU Dong
出品人/制片人Executive Producer
博纳影业集团创始人、董事长兼CEO作为中国目前最成功的民营电影发行人、出品人，于冬在过去十年中接连创下中国电影业界的新记录。由他一手创办的博纳影业集团成功登陆纳斯达克，成为美国资本市场中国影视第一股。博纳影业集团是国内最有竞争力的民营电影公司之一，于冬先生也是国内最成功的电影营销专家之一。
于冬毕业于北京电影学院管理系，先后在北京电影製片厂和中国电影集团任职，专注于国产电影的发行与营销工作。2001年初，一部投资仅为200万人民币的低成本国产影片《我的兄弟姐妹》在于冬的成功营销下取得了2000万的惊人票房成绩，并由此奠定下了其在电影营销领域的先进地位。此后，于冬又接连创下了多个国产影片的经典营销桉例，如《天脉传奇》、《无间道3》、《新警察故事》、《伤城》、《孔雀》、《窃听风云》、《十月围城》等。在中国电影发行史上，有不少的第一记在于冬的名下：第一个全国零点行动；第一次亚洲同步上映；第一个在媒体上投放电影商业广告；第一家把公司标帜放在所发行影片前面的电影发行公司；第一次集结五大广电集团力量投资电影。2010年，于冬又成功将博纳影业集团带入纳斯达克，上市融资近一亿元美金，中国影视公司第一次站到了世界资本的舞台上。
Dong Yu is the founder, chairman and chief executive officer of our company. Mr. Yu has over 15 years of experience in film distribution and received numerous recognitions such as "The Most Influential Asian Film Producer" by The Hollywood Reporter in November 2006 and "Outstanding Figure of the Year in Chinese Creative Enterprises" by Chinese Creative Enterprises in 2008. Before he founded our predecessor company in 2000, Mr. Yu held positions at China Film Group
Corporation from 1999 to 2000 and at Beijing Film Studio from 1994 to 1999. Mr. Yu is also the vice president of the Youth Film Participant Committee of the China Film Association, a standing
director of the China Film Producer Association and a director of the China Film Distribution and Exhibition Association. Mr. Yu received his bachelor's degree in film management from the Beijing Film Institute. Mr. Yu received his bachelor's degree from Beijing Film Academy and his MBA degree from Cheung Kong Graduate School of Business. Dong Yu is the brother of our director, Mr. Hai Yu.
Film Producer" by The Hollywood Reporter in November 2006 and "Outstanding Figure of the Year in Chinese Creative Enterprises" by Chinese Creative Enterprises in 2008. Before he founded our predecessor company in 2000, Mr. Yu held positions at China Film Group Corporation from 1999 to 2000 and at Beijing Film Studio from 1994 to 1999. Mr. Yu is also the vice president of the Youth Film Participant Committee of the China Film Association, a standing director of the China Film Producer Association and a director of the China Film Distribution and Exhibition Association. Mr. Yu received his bachelor's degree in film management from the Beijing Film Institute. Mr. Yu received his bachelor's degree from Beijing Film Academy and his MBA degree from Cheung Kong Graduate School of Business. Dong Yu is the brother of our director, Mr. Hai Yu.
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施南生 Nansun SHI
制片人PRODUCER
于2005年9月被国际传媒Variety.com列入全球五十名有影响力独立电影人之一的施南生，是传媒事业的多面手。
生于香港，施南生于英国北伦敦理工学院取得她的学士学位。她于1981年加入新艺城有限公司负责管理製作、发行和行政部门，开始她的电影事业。1984年，施南生与丈夫徐克成立製作公司电影工作室，并在国际影坛取得超卓成绩。近作《狄仁杰之通天帝国》在中国取得三亿元人民币的高票房纪录，除了是一个商业成功，亦是她事业上的一个重要里程碑。影片在2010年并入围第67届威尼斯国际电影节的竞赛单元。2006年，施南生加入了博纳影业集团的董事会。博纳是一家中国民营电影发行商，市场佔有率高达百分之十五，2010年于美国纳斯达克上巿。2007及2008年，施南生分别担任第57届柏林国际电影节及第54届悉尼国际电影节的评委会成员，她还于 2011年在第64届戛纳国际电影节担任评审团成员。
现在除了担任电影监製和管理电影工作室，施南生亦是发行工作室的主席，主要代理销售亚洲电影；她同时也是香港电影发展局的成员。
Named one of the 50 most influential indie filmmakers/players around the world by Variety, Nansun Shi is one of Asia’s most accomplished and respected producers working in the Asian film scene today.
Born in Hong Kong, Nansun received her Bachelor’s Degree from the Polytechnic of North London. Her film career began when she joined Cinema City Company Ltd in 1981 as Controller with overall responsibility for production, distribution and administration. In 1984, Nansun and her husband Tsui Hark founded an independent production company, Film Workshop, which has produced numerous internationally-acclaimed box office successes. Its latest production, “Detective Dee and the Mystery of the Phantom Flame” was both a critical and commercial success. The film
grossed RMB300m in China alone and was in competition at the 67th Venice International Film Festival in 2010. In 2006, Nansun joined the board of the Bona International Film Group, then a privately-held independent distributor with 15% market share in China. The Company has since listed on NASDAQ in December 2010.Nansun served on the jury of the 57th Berlin International Film Festival in 2007 and the 54th Sydney International Film Festival in 2008. She was also a Jury
member at the 64th Cannes International Film Festival in 2011.
Today, apart from being the Executive Director of Film Workshop and a Board member of Bona Film Group, Nansun is also the Chairman of Distribution Workshop, an international sales agent for Asian films which is based in Hong Kong. She is also a member of the Hong Kong Film Development Council.
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元彬 YUEN Bun 动作指导 Action Choreographer
祖籍上海，由于父母酷爱京剧，1962年，八岁的元彬被送入于占元创办的中国戏曲学校，与成龙、洪金宝、元彪、元华等人成为师兄弟，他们有一个共同的名字七小福。他亲身创造并见证了香港90年代的许多招牌武侠电影，曾设计过无数经典的打斗场面。参与製作过的电影有《新龙门客栈》、《笑傲江湖2：东方不败》、《文雀》、《青蛇》、《狮王争霸》、《王者之风》、《黑社会》、《暗花》、《大事件》等。
Born in Shang Hai, was admitted to the Chinese Drama School when eight years old, become brothers with Jackie Chan, Sammo Hung, Ha Ling Chun and Wah Yuen. He personally created and witnessed Hongkong 90's martial arts drama, has designed numerous classic fight scenes. Involved in the production of the film "New Dragon Gate Inn", "Swordsman 2","Sparrow", "Green Snake", "Once Upon A Time in China III", "Once Upon A Time in China IV", "Election"," The Longest Nite", "Breaking News”.
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奚仲文 Yee Chung Man
美术总监 Production Designer
从影多年来，奚仲文为《倩女幽魂》、《新不了情》、《甜蜜蜜》、《孔子》、《投名状》、《门徒》、《满城尽带黄金甲》等多部经典影片担任艺术指导和服装设计，多次获得香港电影金像奖、台湾金马奖。由奚仲文担任服装设计的《满城尽带黄金甲》入围了第79届奥斯卡金像奖最佳服装设计，并夺得美国电影业服装设计公会历史类最佳服装设计奖。
Yee Chung-Man is one of the most prolific art directors and costume designers in the Hong Kong film industry. In honor of his work, Yee has won several art director awards at the Hong Kong Film Awards and at the Taiwan Golden Horse Awards, including Best Art Direction for the 1987 film "A Chinese Ghost Story" at the 7th Hong Kong Film Awards, and for Peter Chan's drama "Comrades: Almost a Love Story" at the 16th Hong Kong Film Awards, Best Art Director and Best Makeup and Costume Design for 2002 film "Golden Chicken" at 40th Golden Horse Awards as well as Best Costume & Makeup Design for Peter Chan's film "Perhaps Love" at the 25th Hong Kong Film Awards in 2006. The costumes for the film "Curse of the Golden Flower" earned Yee an Academy Award nomination for Best Costume Design at the 79th Academy Awards, and won Excellence in Costume Design for a Period Film at the 2007 Costume Designers Guild Awards.
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蔡崇辉 Choi Sung Fai
摄影指导 Director of Photography
着名摄影师，参与製作过的电影有《七剑》、《女人不坏》、《无极》、《赤裸特工》、《我要成名》、《狄仁杰之通天帝国》等。
Well-known photographer involved in the production of films "The Seven Swords", "All about Women," "The Promise," "Naked Weapon", "My Name is Fame",“Detective D” and so on.
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Chuck Comisky
立体拍摄顾问 Supervising Stereographer
擅长Stereo-3D製作，担任《阿凡达》3D视觉效果总监，同时在影片《圣地》中应用了这一技术。指导过多部影片的3D特效製作，包括《深渊幽灵》、《深海异形》和《终结者2：3D版越空之战》
A veteran S-3D innovator having set standards for Jim Cameron's "AVATAR", Comisky supervised the 3D for "SANCTUM" in Australia earlier this year and returned from Canada in November where he designed the Stereo3D for "FINAL DESTINATION". Comisky also supervised the S-3D Visual Effects for Cameron's IMAX 3D documentaries, "Ghosts of the Abyss" and "Aliens of the Deep". He produced the filmed portion of "T2-3D Battle Across Time", the award winning theme park attraction while supervising the S-3D and Visual Effects.
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李治允 Edward Chiyun Yi
后期製作监製 Post-production Producer
韩国知名电影人，北京电影学院导演系硕士毕业，对中国有着特别的感情。李治允先生和他的后期製作团队被多名中外导演认可，曾担任《太极旗飘扬》、《赤壁》、《集结号》、《拉贝日记》、《狄仁杰之通天帝国》等后期特效製作工作。
The well-known South Korean film post-production producer, graduated at Beijing Film Academy. Mr. Yi Chiyun and his post-production team were served in "Taegukgi"," Red Cliff"," Assembly"," John Rabe"," the Detective D" and other post-production work.
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张健龙 Stego Chang
立体对应技术总监 Technical Consultant, Stereoscopic Conforming
自 2000 年开始工作于侯孝贤电影工作室 - 三视多媒体担任剪接，2003 之后加入苹果电脑专业市场部门，负责专业影视创作市场的市场开发。熟悉后期工作流程，2010 年开始加入递加公司筹备工作，现负责公司运营及市场、后期管理及 3D技术开发。在电影《抓猴》、《在路上》、《龙门飞甲》中担任 3D 技术统筹及工作流程规划。在《BAIT 3D》中，协调及规划现场数字监视流程及支持。
Start working with director, Hou Hsiao Hsian from 2000 as an editor in Sinomovie. Joined Apple from 2003 and was in charge of professional video/audio market development. Familiar with post production workflow. Joined the team to start the new company, Dimension Plus, from 2010 and was in charge of company operation, marketing, post production, and stereoscopic technical development. Help feature film, Catching Monkey, On the Road, and Flying Swords of Dragon Gate to set up workflow and coordinate the stereoscopic production. Was also help the film, BAIT 3D, setup and support the on set video assist workflow.
演员角色
Character Profiles
高手云集
李连杰 Jet Li 饰 赵怀安
The Swordsman, Zhao Huaian
曾是朝廷故吏，如今漂泊江湖。心怀忠义，诛杀奸恶，护佑忠良，一腔丹心热血肠。无奈一点儿女情长挂肚，英雄也有气短时。
李连杰
着名动作明星、国际功夫巨星、武术家、慈善家，“壹基金”创始人。自小学习武术并在1974-1979年间连续五年获得全国武术比赛冠军。1980年，李连杰被导演张鑫炎相中，出演电影《少林寺》一举成名，这是一部在武侠电影史上具有划时代意义的作品，挟着《少林寺》的馀威，李连杰1983年及1984年主演的少林题材影片《少林小子》、《南北少林》都颇为成功。时隔不久，李连杰在美国认识了天才导演徐克。两颗武侠巨星的碰撞，掀起了一股武侠电影的巨浪，于是便有了《黄飞鸿》、《东方不败》等新武侠时代的经典之作，开创了武侠电影的新时代。1998年受华纳公司之约出演了《致命武器4》，走进了好莱坞。成为亚洲最成功的演员之一。
Jet Li
A Chinese national champion in wushu (martial arts) at the age of eleven, Jet Li spent much of his childhood displaying his amazing skills at state functions – including once in the White House Rose Garden for President Nixon, soon after the USA established diplomatic relations with China. He retired from the sport as an undefeated champion at the age of seventeen. Soon after, his screen debut in Shaolin Temple launched him into a new career in the movies. He became a global star in Tsui Hark’s legendary Once Upon a Time in China series, and his work in Hong Kong earned him an invitation to Hollywood. Since starring opposite Mel Gibson in Lethal Weapon 4, his US credits have included Romeo Must Die, The One and Kiss of the Dragon. He now divides his time between American projects (The Mummy 3: Tomb of the Dragon Emperor) and Chinese projects (Zhang Yimou’s Hero, Peter Chan’s The Warlords). Flying Daggers of Dragon Gate marks his reunion with Tsui Hark nearly two decades after their triumph with Once Upon a Time in China.
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周迅 Zhou Xun 饰 凌雁秋
Lady Hawk, Ling Yanqiu
沙尘不染，曆经风霜。仗剑孤影行江湖，执着一念寻故人。剑如雨，身似鹰，惊诧一声奸恶惊心。可歎，三年铁鞋终觅处；可怜，芳心暗许也无期。
周 迅
1991年谢铁骊导演通过一本挂曆找到上学的周迅出演了其第一部电影《古墓荒斋》。从此，不到20岁的周迅走上了从影之路。 从2000年《大明宫词》到《人间四月天》她的表演功力征服了广大观众，之后在《苏州河》中周迅一人分饰两角，并凭藉此片夺得巴黎电影节影后桂冠。此后，周迅一发而不可收拾，相继和王小帅、陈果、陈可辛等知名导演合作。05年，周迅出演《如果•爱》，这部影片为她带来了香港电影金像奖、台湾金马奖等影后桂冠，横扫整个华语影坛。06年周迅凭藉在《夜宴》中的出色演出，夺得第二十六届香港电影金像奖“最佳女配角奖”，她因此成为连续两年把金像奖杯揽入怀中的第一位内地女演员。08年下半年，她主演的《画皮》票房达到2.33亿，创造了商业佳绩，也凭藉此片入围第28届香港金像奖最佳女主角。
Zhou Xun
Arguably one of the best actresses in China, Zhou Xun stands out for her flair and devotion, especially in performance. Many distinguished screenwriters and directors, both native and foreign, agree she is a young talent whose start is rising swiftly. Since her debut on screen at age 15, Zhou Xun displayed her remarkable talent in dozens of films and TV series, successfully playing roles with strikingly different social standing and disposition. These include the puerile little princess in Palace of Desire, the gifted young poet in April Rhapsody, and two contrasting roles in SuZhou River which earned her topmost fame and popularity all over China and Southeast Asia.
While most TV and movie stars nowadays crave reputation and popularity, Zhou Xun values her career more seriously as a life-long dedication. In this manner Zhou Xun keeps taking up more challenging roles such as the mentally retarded girl Du Xinyu in Symphony of Rain and the traditional female Xiu He, suffering from social oppression, in When Tangerines Ripen.
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陈坤 Chen Kun 饰 雨化田/卜仓舟
雨化田Chief of West Bureau, Yu Huatian
统领西厂，权倾朝野。长臂一挥，围捕侠士千里之外；马鞭一指，追杀妃嫔大漠之间。论身手，世间几人出其右；论心智，狡黠佈局谁人察。怎奈何，一点骄傲全盘皆输，十分野心尽付黄沙。
卜仓舟Wind Blade, Bu Cangzhou
买卖消息，溷迹江湖。不是纨绔子弟出身，却也沾沾自喜为人。一心龙门寻宝，怎料相貌引来杀身祸。佳人相伴，不敌有眼无心；身无牵挂，却也游戏人间。
陈 坤
陈坤，出生在重庆市，2000年毕业于北京电影学院表演系96级。2000年出演电视剧《像雾像雨又像风》让观众所熟悉。而法国电影《巴尔扎克和小裁缝》中的罗明这一角色也让陈坤为国外观众所熟悉。2005年，陈坤凭藉电影《鸳鸯蝴蝶》获得台湾金马奖最佳男主角提名。2007年，陈坤在电影《云水谣》中的表演让他赢得中国华表奖优秀男演员奖。在2009年一年之中，他连续主演了5部电影和一部长篇电视剧。其中尤为引人注目的是姜文执导的黑色喜剧电影《让子弹飞》，陈坤在其中初次扮演反面角色。除了自出道以来令他受到瞩目的外形魅力，陈坤在演技上的成熟蜕变正日益得到肯定。陈坤已成为目前中国最炙手可热的演员之一。
CHEN Kun
Graduated from Beijing Film Academy, CHEN Kun is one of the most sought-after actors in the industry. With his skillful performances and sentimental face, earned himself a spot in the cinematic and TV area and made him an instant sensation. His enduring effort and quest in acting skills later brought him a breakthrough in his acting career, the crown of Leading Actor, the 12th China Movie Awards, July, 2007, “The Knot”. His seamless collaboration with Vicki Zhao and Zhou Xun in “Painted Skin” again gained audiences’ applause. It is also audiences’ unanimous desire that he takes the leading male role opposite with Vicki Zhao in “Mulan” to present an extension of their romance story.
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李宇春 Li Yuchun 饰 顾少棠
The Bandit Leader, Gu Shaotang
匪界花木兰，结党聚边关。不为纪念故人，只求密室黄金 。粗中有细，怒时一髮可冲冠，静时密道能佈阵。心有愁肠，暗怨所托已非人；唯求心安，龙门客栈是故乡。
李宇春
中国最具社会影响力和传奇性的流行女歌手，中国首位民选超级偶像，词曲创作人，电影演员，音乐MV、演唱会导演，公益慈善先锋，时尚引领者，有中国“舞台皇后”之称。2005年参加“超级女声”音乐比赛总冠军，正式步入歌坛。出道五年，拥有13场个人演唱会，32首冠军单曲，5张冠军销量专辑，歌迷遍布全球。被公认为2005年后华语乐坛最具革命性与指标性的流行歌手，开创中国内地乐坛巨星时代，影响力辐射海内外。作为华语乐坛具有划时代意义的顶级女歌手，影响力早已超出娱乐圈范畴，成为当年中国社会的标志性人物。2009年，李宇春个人演艺事业版图继续扩大加盟由陈可辛监製的贺岁大片《十月围城》，出演方红一角。该片票房突破3亿，在专业口碑上都取得了极大成功，李宇春更被称为2009年度电影“新人王”。
Li Yuchun
Li Yuchun is a Chinese pop singer and actress who achieved instant fame when she won the nationwide singing contest Super Girl in 2005. She is now working with Taihe Rye Music and released her first album “The Queen and the Dream” in September 2006. Her second album titled “Mine” was released in early November 2007. Her third album, “Youth of China” was released in May 2008, and her forth album, "Li Yuchun" came out in 2009. She made her film debut in the 2009 film Bodyguards and Assassins.
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桂纶镁 Gwei Lun Mei 饰 布噜嘟
The Tribal Princess, Bu Ludu
身世神秘，总有毒物傍身。一身妖娆，蛮腰轻摆风情自生；一点骄纵，率性而为野性十足。性感时，方寸生春；出手时，血肉横飞。
桂纶镁
桂纶镁，中国台湾新生代演员。大学毕业于澹江大学法国语文学系。高二时出演《蓝色大门》当中的“孟克柔”，跨出了她人生第一步表演生涯。之后桂纶镁出演了《经过》、《危险心灵》、《波丽士大人》等影视剧。2007年，扮演周杰伦电影导演处女作《不能说的秘密》中的女主角。2008年，她与周迅、张雨绮合作出演了徐克导演的《女人不坏》，在其中颠覆自己一贯的清新形象，以个性十足的摇滚歌手形象登场，更是博得观众一片叫好，也凭藉此片在内地聚集相当高的人气。
Gwei Lun Mei
KWAI Lun Mei started her acting career in the movie Blue Gate Crossing as Meng Ke Rou. Lun Mei then appeared in a few more movies before she went on to gain more recognition in the movie Secret directed by Jay Chou, which Kwai acted as the female lead, Lu Xiao Yu with Jay Chou himself playing the male lead, Ye Xiang Lun.
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范晓萱 Mavis Fan 饰 素慧容
The Mysterious Girl, Su Huirong
柔弱无骨小女子，音颦笑貌可倾城。前生皇宫富贵加身，此时江湖漂泊无依。遭追杀，幸遇侠女拔刀助；弃旧友，人心总有两面时。
范晓萱
范晓萱是一位集演唱、乐器演奏、词曲创作于一体的专业音乐人。年仅12岁（1989年）出道，以小魔女的形象红遍全亚洲。曾获得两届台湾金曲奖歌后。1998年以《健康歌》参演了春节联欢晚会。2000年后不甘于只做儿童偶像，便从活泼可爱的风格转型为成熟中性的摇滚朋克风格。近年以乐团和驻唱表演为主，近日颇受欢迎的作品有范晓萱与100%乐团合作的新专辑《赤子》，2010年获第十届华语音乐传媒大奖最佳国语女歌手大奖（歌后）。最新创作是为好友范冰冰创作的单曲《辞》。
Mavis Fan
Mavis Fan is Taiwanese pop singer who also plays flute and piano. She's also known as 'Bo Bo' or 'Little Witch'. Mavis began her singing career in the mid 90s as a pop idol. She soon grew increasingly gravitated towards singing about moodier subject matters having to do with love and betrayal.
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樊少皇 Fan Siu Wong 饰 马进良
Lead Assassin of West Bureau, Ma Jinliang
西厂第一高手，督公手下干将。双剑齐出人难挡，阿谀奉承无人敌。伴奸恶，烧杀抢掠甘为鹰犬；碰豪杰，本事不济死于非命。
樊少皇
樊少皇自三岁加入影视圈，从童星做起，至今已拍摄了60部电影，20部电视作品。九十年代，他凭藉在《天龙八部》中饰演的虚竹和在《少年英雄方世玉》中饰演的洪熙官等角色红遍两岸三地。同时期，他主演的电影《力王》更为他奠定了硬派功夫明星的地位。
近几年，樊少皇积极进军影坛，仅2010年，他就有《叶问2》、《唐伯虎点秋香2》、《月光宝盒》等六部电影在全国上映，皆取得了不俗口碑。《叶问》系列作品更令他入围第28届香港电影金像奖最佳男配角。
Fan Siu Wong
Louis Fan has joined in film circle since 3 years old. Starting as a child star, he has acted in 60 movies and 20 TV series till now. In 1980s, he became very popular with the China Mainland, Taiwan and Hongkong by virtue of the role of Xuzhu in “SemiGods and SemiDevils” and Hong Xiguan in “Young Hero Fang Shiyu”. At the same period, the movie he acted as protagonist has established the hardcore Kungfu star status for him.
In recent years, Louis Fan marched actively into movie circle. Only in 2000, he had “Ip Man 2”, “Legend of the Grandmaster”, “The Legend is Born - Ip Man”, “Beauty On Duty”, “Future X-cops”, “Flirting Scholar”, “Once Upon A Chinese Classic” and so on that had been shown in the theaters across the country, all of which had win public praise. The Ip Man series have made him nominated as the best male supporting actor in the 28th Hong Kong Film Awards.
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盛鑑 饰 谭鲁子
2nd Assassin of West Bureau, Tan Luzi
西厂二把交椅，饶是独当一面。性阴沉，龙门客栈甘受辱；智不足，官府被盗反遭围。虽是卖命朝廷，却是难求善终。边关外，大漠中，自相残杀作冤魂。
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杜奕衡 饰 继学勇
3rd Assassin of West Bureau, Ji Xueyong
西厂刑部三档头，官职七品也跋扈。无谋恃勇担先锋，反遭女侠当众耍。逢乱世，一身本事空投敌；走大漠，卿卿性命丢异乡。
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刘家辉 饰 万喻楼
Chief of East Bureau, Wan Yulou
隻手遮天，一介宦官上瞒天子；权倾朝野；东厂督主下诬忠良。心毒辣，东厂刑具鬼神嚎；性骄纵，恶人终有被报时。
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张馨予 饰 万贵妃
The Concubine, Wan Zhener
富贵身，蛇蝎心，为求上位诛姐妹。勾搭宦官，西厂督公福比天子；祸乱后宫，怀子妃嫔尽遭毒手。天有眼，恶事做尽不得善果；存报应，曾经贵妃暴毙宫中。
制作背景
Behind the Scenes
惊叱江湖
拍摄 Shooting
拍摄困难：这个戏人物很多，安排演员去拍摄的时候，有时候在控制拍摄时间上很难处理，很难照顾到每个演员，有些演员拍不到，有些演员拍的太累了。大多数演员都没有过如此辛苦的拍摄经验，但是我们也合作的很愉快。
-徐克
Tough Shoot: This film has loads of characters. When we try to cover all the actors, sometimes it’s hard to adhere to the original shooting schedule. Some cast members didn’t get their turns, while others were exhausted in front of the camera. This must be one of their toughest shoots, yet they’re all cooperative.
—Tsui Hark
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3D挑战更大：3D摄影机的镜头就那麽大，刺过去你以为刺中了，但是在3D的世界里看出来可能就有偏差，可能长短距离有偏差，要很有耐性反複的去做同样的东西，包括剑的反光，出来的就都不一样。
3D学习快：西方成熟的3D摄影团队一个镜头要拍一个半小时。而我们一开始A、B组加在一起一天也拍不过六个镜头。但整个剧组进步很快，两个多月过后，我们四十分钟就可以拍下一个3D镜头了。
—李连杰
The challenge on 3D: The lens of the 3D camera is not that big. When you stab towards the camera, it may deviate in the 3D world. The distance may deviate, so we need to repeat the action patiently. Even the reflection from the blade may look differently.
Learning curve on 3D: For a Hollywood 3D production, a single shot would take 90 minutes to complete. For our film, we could only do six shots a day with two camera teams. But we’re fast learners, and after two months, we could finish a shot in 40 minutes.
—Jet Li
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环境最恶劣：这次拍摄是我遇到外部环境最恶劣的，因为有风沙，拍摄时我们根本睁不开眼睛。但是我们不能“瞎着”给大家表演。气温又低，很多时候都是零下的，对人的骨头来说，不太适合去做大幅度的武打动作。
导演重细节：他让我坐下的时候甩飘带、挡酒……这样的小细节一点点累积起来。比如第一天拍龙门客栈进门的戏，导演让我很帅的把身上的包裹和帽子甩掉，可是那些东西被绑的很紧，我甩了半天才下来。但这样出来的最终效果却很酷。
—周迅
Worst Situation: This is the worst location shooting I’ve ever been in. With the sandstorm, we could barely open our eyes, yet we couldn’t look blind on camera. The temperature was often in sub-zero and bad for our bodies, especially when we’re performing extensive action sequences.
Tsui Hark and Details: He wants me to swing my robe and refuse the wine before sitting. Such details would add up everyday. For the first day at Dragon Inn, the director asked me to unload my bag and hat in a cool way. But they were tied tightly on my clothes, and it was not cool at all.
—Zhou Xun
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3D拍摄不影响表演：别管是3D拍还是8D拍，我不会让它影响了我的表演。我来的目的就是参与中国第一部IMAX 3D电影，因为这是一次技术与艺术的完美结合。
—陈坤
Acting in 3D: Be it 3D or 8D, I won’t let it affect my performance. I’m here to involve in the first Chinese film in IMAX 3D. This will be the perfect combination of art and science.
—Chen Kun
动作Action
兵器：《龙门飞甲》里边主力的兵器是剑。一个人拿一把剑，人物的性格决定了他/她对于剑的应用。我认为剑是兵器之王，特性、速度、攻击力和变化很多，能够把剑拍得好的话就能够把武侠电影拍得好。
—徐克
Weaponry: Our primary weapon of choice is the sword. The characters’ personality would affect the application of their swords. I believe the sword is the ultimate weapon, with its varying characteristics, speed, impact and movement. A film with great swordsplay is a great martial arts film.
—Tsui Hark
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打戏不困难：我总是对自己说“你功夫是最高的！”，这种催眠的方式非常有用。不然你站在李连杰面前跟他对打的时候，你会气势很弱。
打戏治好“恐高症”：我从三十多米往下飞的时候飞了十几条，我觉得这是一个非常有趣的考试。我是一个有恐高症的人，可是演完了我不是也没事嘛，所以人是可以锻炼出来的。
—陈坤
Overcoming Action Scenes: I often tell myself, “I’m the best kung-fu artist!” Such hypnosis works out fine. Otherwise, you’d look pretty weak in front of Jet Li.
Overcoming Acrophobia: For a scene with me dropping 30 meters, it took a dozen takes to get it right. It’s an interesting challenge. I’m acrophobic, but I felt fine after that scene. Practice makes perfect.
—Chen Kun
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武器很极端：我的兵器很极端，估计是这部戏里最大的和最小的，大关刀和小飞镖。那个大刀舞起来特别吃力，以至于好多特殊的部分都需要吊钢丝,非常吃力。
—李宇春
Extreme weaponry: My weapons, the Guan blade and darts, are quite extreme. They should be the largest and smallest weapons in the film respectively. Holding that blade is not an easy task, so I need wire-work for specific scenes. It’s heavy!
—Li Yuchun
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赶鸭子上架：武打动作做不好，别人越安慰我，我就越紧张。后来我干脆脑袋里就不想了，到现场直接就做，有点赶鸭子上架的感觉，但是，要做就做吧。
—桂纶镁
Coercion: People would comfort me when I fail an action scene, and that would make me even more nervous. I’d try not to over-think it, and perform by instinct. It feels like coercion, but let’s just do it!
—Gwei Lun-mei
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每天流一年的汗：我是个完全不运动的人。体能训练，每天很早就要起床，而我是个每天〝很早〞才睡的人，完全跟我的生活是相反的。但是拍戏的那
段时间，我的确变得很健康，因为每天流的汗是我一年的量吧。
—范晓萱
Sweat Quota: I never exercise. But for the physical training on this film, we need to get up early in the morning. And I’m not a morning person at all. But this film has turned me into a healthy person, because I’ve fulfilled my annual sweat quota in just a single film!
—Mavis Fan
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3D
3D技术：我们在探访和交流3D的过程里面，遇上了一些研究3D三十年以上的专家，和他们交流了很多关于3D的事情。后来我们找了《阿凡达》拍摄3D的技术人员给我们训练拍摄3D电影，那个时候我们开始明白3D具体跟细节上是怎麽回事。
3D的前景：从无声到有声，从黑白到彩色，从2D到3D，都是电影发展的必经之路。3D打开了另一扇空间，现实生活确实是立体的世界，不是平面的世界，观众所有一切的追求都是越来越接近我们现实的东西。
3D《龙门飞甲》：《龙门飞甲》是我这麽多年想拍摄的精华之一，因为在所谓的一个固定的客栈环境和沙漠景观上，用3D电影的器材拍摄会呈现很有趣的效果。在这些比较有利的条件之下，《龙门飞甲》就变成我的第一部3D电影作品。
—徐克
3D Technology: We’ve met with 3D specialists who studied the technology for over three decades, and it’s an extensive exchange. We then invited the technicians from “Avatar” to train us on 3D filmmaking. It was then did we realize the properties of 3D movie.
Prospect of 3D: From silent to sound, from black-and-white to color, from 2D to 3D, this is the inevitable path of filmmaking. 3D has opened another spectrum for us. Our reality has always been three-dimensional, and our audience yearns for entertainment that stays close to reality.
Dragon Gate in 3D: “Flying Swords of Dragon Gate” is the essence of all my recent movie ideas. The 3D technology would work wonders on a stationary inn and the desert backdrop. With these elements at hand, this becomes my first film in 3D.
—Tsui Hark
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3D将会更成熟：我们拍惯了2D的电影，有很多擅长的东西，但是同时你也知道想要突破，拍一些更远的东西，2D是做不到的，就3D了。可能五年后、十年后3D的武侠世界会有更成熟更全面的表达。
3D是趋势：《阿凡达》之后，被称为好莱坞大片的电影大部分都是3D了，从全世界的趋势来看，不光是《阿凡达》可以拍3D，警匪电影也可以用3D来拍了。全世界有这样的趋势的话，不管中国人做不做，这个趋势起码有两三年、三五年可以走。
—李连杰
Sophistication on 3D: We’ve grown more sophisticated on 2D filmmaking, but we also want a breakthrough that is beyond 2D. That would be 3D. In five to ten years, 3D technology would present a more extensive and sophisticated martial arts world.
3D Trend: Since “Avatar”, most of the Hollywood blockbusters are in 3D. In terms of the global trend, it seems not only the fantasy genre like “Avatar” could be in 3D, but so does the cops-and-robbers genre. Regardless of whether the Chinese filmmakers would follow suit, this trend could continue for three to five years.
—Jet Li
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期待3D效果：我自己也很期待，3D出来后是什麽效果。3D可能让你看到的东西更真实吧。除了人形，情绪反应会更真实，因为他活生生在你面前，这个还是挺好玩的。戏中的人物，没觉得有太多性别的区别，反而很“人”、很卡通。
—周迅
Anticipation on 3D: I’m really eager to know how the film would look like in 3D. I believe 3D would make everything on screen more realistic. The facial expression would seem more genuine, because the characters seem to be right in front of you. This should be fun. The characters in this film are not differentiated by gender. They’re more humane and cartoonish.
—Zhou Xun
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博纳影业集团
博纳影业集团是首家登陆美国纳斯达克（上市代码BONA）的中国内地影视公司，是一家包含电影制作、电影发行、影院投资、院线管理、广告营销、艺人经纪等业务板块的集团化公司。 旗下的博纳电影发行公司是目前中国最大规模的以电影营销和发行为核心竞争力的行业旗舰，10年来发行了139部中外影片，累计票房超过30亿人民币，连续6年占全国市场份额的15%以上。同时，博纳影业集团致力于全产业链的整合与拓展，投资拍摄了《龙门飞甲》、《大笑江湖》、《十月围城》、《美丽人生》、《窃听风云》、《枪王之王》、《伤城》、《父子》、《门徒》、《导火线》、《赤壁》、《投名状》等多类型影片，成功跻身电影投资制作领跑行列。5年来博纳在北京、上海、深圳、天津、重庆等城市已投资建设多家五星级多厅影院，110块银幕，15000余个座位。未来几年，集团将在全国继续大力拓展影院业务。博纳广告公司通过杰出的创意策划能力、强大的活动执行力以及稳定的影院渠道关系为众多合作伙伴带来了电影领域的品牌传播体验；演艺经纪有限公司成立至今，已签约20多位当红明星，迅速成长为内地最有影响力的明星经纪公司之一。
博纳影业集团在整合业内优良资本，嫁接多元资本通道的同时不断寻求多方位业务拓展，并以其前瞻性部署，专业化运作、规模化经营、成功成为中国电影产业最具影响力的电影集团公司之一。
BONA FILM GROUP
Founded in 2003, Bona Film Group Limited is a leading film entertainment company in China, with solid financial backing and fully integrated business model encompassing film distribution, film production, exhibition, advertising and talent agency.
We are the largest privately owned film distributor in China, as well as the first privately owned company to obtain a film distribution license from the State Administration of Radio, Film and Television (“SARFT”). From 2004 to 2006, we have been consecutively recognized as “Outstanding Distribution Company for Domestically Produced Films” from SARFT. We pioneered in the establishment of overseas film distribution workshop in HK in 2008 with our distribution coverage expanded into Greater China, SEA, Japan, Korean, US and Europe.
In 2003, we set foot into the upstream sector of the film industry by investing in film production. We have invested, produced and co-produced a variety of films ever since and successfully became one of the leaders in the realm of film production in China.
In order to execute the “fully integrated value chain” coverage strategy, we extended downstream to film exhibition business since 2005. Now we own and operate six modern movie theaters in major cities that are affiliated with leading theater chains. We look forward to continue expand our film exhibition and establish our brand in theater operation.
We ventured into film advertising and talent agency in 2005 and 2008 respectively to further consolidate and enhance our core distribution business. Bolstered by the vast film slate, nationwide film promotion campaigns and scale in distribution, our advertising company has exhibited the ability to deliver innovative, effective and unprecedented brand building and communication campaigns for our clients. With establishment of our own talent managing company and collaboration with the well-know artist Bing Bing Fan, we are well-positioned to become one of the most competitive talent management agencies in China. In early 2007, we became the first privately-owned film company in China in securing international private equity funds, having successfully closed investments from
two of the most prominent venture capital groups in the high-growth and cultural industries – Sequoia Capital China and SIG Asia Investments. The cash injections not only fueled the company’s expansion into other sectors in the film industry but also put it under the limelight of the media of the investment circles. In June 2009,
we obtained 2nd round financing from Matrix Partners and Sequoia Capital, who together injected another RMB100 million. The success of our pre-IPO financing well demonstrated our leading position in the film distribution, investment and production field, our strong management team and the wide brand recognition within the industry.
Through strategic partnership and alliance, we have aggregated the best resources in the Chinese film industry and achieved extensive presence across the entire film industry value chain, successfully emerging at the forefront of the global entertainme arena.
